TRINITY
2025
Ink on paper
Canson, 160 g/m²
29,7 x 42 cm (A3)
Three forms meet in one image, held together by a field of repeated marks. The work draws on the the ancient idea of the threefold divine — associated with creation, preservation and dissolution across different traditions.
One-of-one original work
Original available
Ink on paper
Canson, 160 g/m²
29,7 x 42 cm (A3)
Three forms meet in one image, held together by a field of repeated marks. The work draws on the the ancient idea of the threefold divine — associated with creation, preservation and dissolution across different traditions.
One-of-one original work
Original available
WITHIN
2024
Ink on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The human figure stands within the material world, surrounded by its forms and objects. Within the face, another space opens towards the moon — a symbol of awakening and the inward movement towards the divine.
One-of-one original work
Original available by request
Ink on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The human figure stands within the material world, surrounded by its forms and objects. Within the face, another space opens towards the moon — a symbol of awakening and the inward movement towards the divine.
One-of-one original work
Original available by request
when you don't name things any longer, you start to see them
2024
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The work explores the distinction between looking and seeing. When the outward gaze is interrupted, attention can turn inward, opening another kind of perception — one through which the heart may recognise what the eyes alone cannot see.
One-of-one original work
Original available by request
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The work explores the distinction between looking and seeing. When the outward gaze is interrupted, attention can turn inward, opening another kind of perception — one through which the heart may recognise what the eyes alone cannot see.
One-of-one original work
Original available by request
Trust the process
2023
Ink on paper
Epson, 192 g/m²
29,7 x 42 cm (A3)
The eye contains another act of seeing, turning perception back upon itself. “Trust the process” becomes less an instruction than a way of approaching what cannot be understood in advance.
One-of-one original work
Original available by request
Archival print available
Ink on paper
Epson, 192 g/m²
29,7 x 42 cm (A3)
The eye contains another act of seeing, turning perception back upon itself. “Trust the process” becomes less an instruction than a way of approaching what cannot be understood in advance.
One-of-one original work
Original available by request
Archival print available
Inquiry
It's totally free
WHAT IS YOUR DREAM FOR ME?
2022
Ink, collage on paper
Epson, 192 g/m²
29,7 x 42 cm (A3)
The question is not what to ask from God, but what God is asking of us. The hands become the place of action and offering, while the answer unfolds beyond our control.
One-of-one original work
Original available by request
Archival print available
Ink, collage on paper
Epson, 192 g/m²
29,7 x 42 cm (A3)
The question is not what to ask from God, but what God is asking of us. The hands become the place of action and offering, while the answer unfolds beyond our control.
One-of-one original work
Original available by request
Archival print available
I AM DIVINE LOVE
2022
Ink on paper, 180 g/m²
42 x 59,4 cm (A2)
“I am Divine Love” appears at the centre as a statement of identity rather than aspiration. The work reflects on love not as something acquired from outside, but as something already present within and waiting to be expressed.
One-of-one original work
Original not available · Private collection
ARCHIVAL PRINT AVAILABLE
Ink on paper, 180 g/m²
42 x 59,4 cm (A2)
“I am Divine Love” appears at the centre as a statement of identity rather than aspiration. The work reflects on love not as something acquired from outside, but as something already present within and waiting to be expressed.
One-of-one original work
Original not available · Private collection
ARCHIVAL PRINT AVAILABLE
what this world needs is a group hug
2022
Ink on paper, 180 g/m²
42 x 59,4 cm (A2)
An intimate gesture is imagined at the scale of the world. Through repetition, “what this world needs is a group hug” becomes a reflection on collective care and the possibility of meeting illusion of separation through connection.
One-of-one original work
Original available by request
Archival print available
Ink on paper, 180 g/m²
42 x 59,4 cm (A2)
An intimate gesture is imagined at the scale of the world. Through repetition, “what this world needs is a group hug” becomes a reflection on collective care and the possibility of meeting illusion of separation through connection.
One-of-one original work
Original available by request
Archival print available
where are you going with the god
in your hands?
in your hands?
2024
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The title transforms a question associated with violence into a question of devotion: what happens when the object carried in the hand is no longer a weapon, but God?
One-of-one original work
Original available by request
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The title transforms a question associated with violence into a question of devotion: what happens when the object carried in the hand is no longer a weapon, but God?
One-of-one original work
Original available by request
il Modernissimo
2023
Ink, colored pencils, collage on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
In a modern world “esoterismo” becomes “esoturismo”, turning spiritual curiosity into a kind of tourism. Alongside the invitation to “connect the dots and guess who”, the work asks whether searching means collecting more answers, or recognising who one is actually looking for.
One-of-one original work
Original available by request
Ink, colored pencils, collage on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
In a modern world “esoterismo” becomes “esoturismo”, turning spiritual curiosity into a kind of tourism. Alongside the invitation to “connect the dots and guess who”, the work asks whether searching means collecting more answers, or recognising who one is actually looking for.
One-of-one original work
Original available by request
LA NUOVA AREA è APERTA
2024
Ink, colored pencils, collage on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The work began as a play with the form of a word: removing a single letter from “virtuale” opened it towards “rituale”. Around this transformation, an announcement becomes an invitation — from the virtual space of searching towards a space entered through practice.
One-of-one original work
Original available by request
Ink, colored pencils, collage on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The work began as a play with the form of a word: removing a single letter from “virtuale” opened it towards “rituale”. Around this transformation, an announcement becomes an invitation — from the virtual space of searching towards a space entered through practice.
One-of-one original work
Original available by request
easy/просто
2021
Ink, collage on paper
Epson, 192 g/m²
29,7 x 42 cm (A3)
The image follows a movement from source to manifestation and back again. Repeated gratitude and the invitation to release oneself to love reduce this expansive cycle to a simple proposition: we emerge from Divine Love and ultimately return to it.
One-of-one original work
Original available by request
Archival print available
Ink, collage on paper
Epson, 192 g/m²
29,7 x 42 cm (A3)
The image follows a movement from source to manifestation and back again. Repeated gratitude and the invitation to release oneself to love reduce this expansive cycle to a simple proposition: we emerge from Divine Love and ultimately return to it.
One-of-one original work
Original available by request
Archival print available
Mandala Arpan
2024
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The Mandala Arpan mudrā forms the centre of the image, with lines radiating outward from the hands. A gesture of offering becomes a quiet meditation on surrender.
One-of-one original work
Original available by request
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The Mandala Arpan mudrā forms the centre of the image, with lines radiating outward from the hands. A gesture of offering becomes a quiet meditation on surrender.
One-of-one original work
Original available by request
it's eternal and forever
2024
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The work began with a flower-like form that gradually became a kind of treasure — holding ideas of understanding, knowledge, love, and awakening. The phrase “it’s eternal and forever” appeared along the way and became part of the image.
One-of-one original work
Original available by request
Ink, colored pencils on paper
Clairefontaine, 250 g/m²
42 x 59,4 cm (A2)
The work began with a flower-like form that gradually became a kind of treasure — holding ideas of understanding, knowledge, love, and awakening. The phrase “it’s eternal and forever” appeared along the way and became part of the image.
One-of-one original work
Original available by request
